11/10/2022 0 Comments Light compressor for podcasting![]() The trick to using compression is deciding how much variation in the volume level you want that instrument or singer to have over the mix until it’s time to control it. If the volume is 8 dB higher at the source, with a 4:1 ratio, the audience only hears a 2 dB increase. In this case, a high ratio such as 3:1 or 4:1 might be useful. So 2 decibels are compressed into 1.īack to the snare drum. 2:1 means for every 2 decibels over the threshold (the point you want the compressor to engage), only 1 decibel is passed through. For example, a 1:1 ratio means that for every one decibel that goes into the compressor, one comes out. Ratios show how loud the signal must be in decibels in order to allow 1 decibel to pass through the compressor. This amount of compression is viewed as the compression ratio. The compressor should engage quickly and compress a lot of the audio signal. Imagine the drummer hits the snare drum twice as hard as normal. Each of these properties is configurable for a reason. It can keep compressing, after the volume drops below the threshold, for a short or long period of time. ![]() A compressor can come on quickly or slowly. How do I set channel compression?īefore covering that, let’s look at how compression is implemented. Some singers need it and some do not – some don’t vary their volume much and others know to move the microphone away to offset it. But this isn’t to say all vocals should be compressed. For snare and kick, these are two instruments I find the drummer can…”show their enthusiasm.” And vocals, naturally. #Light compressor for podcasting Patch#In the case of the guitars, the musician can easily change to the wrong patch cable or hit their volume pedal and blast the congregation to the back of the sanctuary. ![]() Or, when a volume increase does occur, you can handle it with a fader change. These are instances where volumes fluctuations can occur but will be minimal and likely acceptable in the mix. It’s ok (and good) to have volume fluctuations in a mix a louder vocal can give the feeling of more of an emotion, for example. For example, if an electric guitarist changes pedal effects during a song then there’s the potential for the new pedal effect to have a higher gain and thus become massively louder that everything else in the mix. ![]() I prefer to use compression on any channel in which the volume could potentially spike quickly and noticeable unbalance the mix. In practical terms, when a singer decides to belt out the chorus, instead of jumping for the fader, the compressor does the work for you. This compression occurs when the volume level signal exceeds a specified level. What is compression?Īudio compression is the process of reducing the dynamic range of a sound. Now that I have it, I feel so alive and…ok, so compression isn’t THAT amazing but if you’ve got it, you should learn how and when to use it. Before I found compression, my life was empty and void. ![]()
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